Loudness
isn’t just
gain.

Three ways
to the same thing

One control, three characters. They decide what happens to the signal on its way to loudness.

Clean
Dense, restrained

Builds level and density through soft non-linear shaping and holds colour back. The focus stays on the signal, not on the effect.

Dense
Warm, full

Adds harmonic weight as the signal moves forward. Even harmonics, where Clean only shapes.

Hard
Direct, uncompromising

Turns peak energy into density and controlled hardness. Here, clipping is not a side effect but the intent.

How it sounds
not how much

PUSH sets how much happens, the character sets the path. Within it, SHAPE forms the sound.

Body to Peak
Where the curve bites

Body bends a little everywhere and densifies the whole sound. Peak stays straight up to the knee and only acts on the peaks. The harmonics stay odd throughout.

Round to Rich
Octave or series

Color colours with even harmonics. Round carries mostly the octave, Rich stacks the series above it. The density stays where it is.

Blunt to Sharp
An edge to measure

SHAPE sets how sharp the knee is. Blunt eases in, Sharp bites hard. The sharper the knee, the more harmonics for the same effect.

The bass on its own
the rest for PUSH

Kick and bass reach further into the curve than anything else and, without a split, set the operating point for the whole mix. With Band Split, everything below 120 Hz passes the curve and joins back in afterwards.

One switch
For full mixes

Off by default. Switch it on when kick and bass drive the density. Where the weight is the point, leave it off; the split costs some density.

Loud first
then the limit

Between two samples, the waveform can rise higher than any sample itself. Converting to MP3 or AAC can then clip, even though no sample was above 0 dBFS. TP Safe pulls such peaks back at the output; off by default, for the moments when the limit matters.

Built for
the session

PUSH is built for a fast, confident workflow. Compare quickly, set precisely, ready to print.

Presets
Start fast

Six factory presets as a starting point. Shape on from there instead of starting from zero.

A / B
Compare instantly

Two settings side by side, one click between them. Hear which direction carries before you commit.

Oversampling
Quality when you need it

From 1x to 8x, 4x by default. Lower when CPU gets tight, higher for heavy drive on bright material.

Mix
Blend in parallel

Turned down, you keep the original transients and lay the density underneath, without opening a second channel.

Output Trim
Take the level back

Takes back the loudness gained when you would rather keep it as headroom. The shaping stays.

Light or dark
Like your room

Light for daylight and bright hosts, dark for long sessions in a dimmed room. One click in the menu, every control stays in its place.

Master
Louder, without bending it

At the end of the chain, Clean lifts the loudness and densifies the mix with as little colour as possible.

Cleanon the full mix of a song by YUNÉ

Drum Bus
Density from the peaks

Edge shapes the peaks and turns their energy into density and hardness. The bus sits tighter.

Edgeon the bus of an acoustic drum kit

Vocals
Weight and warmth

Color gives the voice harmonic weight and brings it forward.

Coloron the lead vocal

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